Josef Sudek was another complete unknown to me. It seems that the names that have trickled down through my education were mostly American, English or French – leaving a big gap for all other talent of various nationalities. A terrible crime for I have found Sudek’s work vastly inspiring!
Josef Sudek was born on the 17th of March 1896 in Kolín, Bohemia and was originally trained as a bookbinder. During The First World War he was drafted into the Austro-Hungarian Army in 1915 and served on the Italian Front until he was wounded in the right arm in 1916. Although he had no experience with photography and was one-handed due to his amputation, he was given a camera. After the war he studied photography for two years in Prague under Jaromir Funke. His Army disability pension gave him leeway to make art, and he worked during the 1920s in the romantic Pictorialist style. Always pushing at the boundaries, a local camera club expelled him for arguing about the need to move forwards from ‘painterly’ photography. Sudek then founded the progressive Czech Photographic Society in 1924. Despite only having one arm, he used large, bulky cameras with the aid of assistants.
Sudek gained recognition at the beginning of the 20s, both in the Czech Republic and the international photographic salons. Around 1940, he began to move away from the mainstream of contemporary photography, in terms of style and technique. His early work included many series of light falling in the interior of St. Vitus cathederal. During and after World War II Sudek created haunting night-scapes and panoramas of Prague, photographed the wooded landscape of Bohemia, and the window-glass that led to his garden in the now famous The Window of My Atelier series. He went on to photograph the crowded interior of his studio in the Labyrinths series.
The photographs of Sudek are sometimes said to have profound modernist features, in other works the pictorial elements dominate. However, his personal photography is neo-romantic. Known as the “Poet of Prague”, Sudek never married, and was a shy, retiring person. He never appeared at his exhibit openings and few people appear in his photographs. Despite the privations of the war and Communism, he kept a renowned record collection of classical music.
His first Western show was at George Eastman House in 1974. He died of cancer two years later.
Josef Sudek published 16 books during his life. In addition to conventional biographies of Josef Sudek, John Banville’s Prague Pictures: Portraits of a City introduces the reader to the city through the photographic lens of Joseph Sudek. Banville relates how he became enlisted to smuggle Sudek’s photographs to the United States and through his tale and the story of Josef Sudek muses on the history of Prague in its gravity and melancholy, torn by war and oppression. He re-creates the anxiety that must have faced the photographer in a city where, under Nazi occupation, landscape photography could be a mortal offense.
More recently, Josef Sudek was used as a symbolic presence in Howard Norman’s novel Devotion. The protagonist, David Kozol, was a photographer and mentored under Sudek. David Kozol remarks on the melancholy that pervaded Josef Sudek’s work and a similar melancholy has settled through the novel. In 2006 the Dutch poet Hans Tentije published a bundle containing the poem: ‘Met Josef Sudek op weg door Praag’, ‘On my way through Prague with Josef Sudek’. In nine parts the poet ‘helps’ Sudek with his photography.
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